*** Flashback ***
New type: tada ai no tame ni (just a new type, for love, New Type: Just For Your Love). Regia : Hiroki Ryuuichi; interpreti : Oomasa Aya, Takezai Terunosuke, Sano Kazuma, Yamada Kinuo; durata : 90 '; first : November 22, 2008.
PIA: Notes 4 / 5 exit rooms: 80/100
score ★ ★ 1 / 2
Yuri does the conductor of a ferry line. E 'blind in one eye and has a childhood friend, Akiyama, but is engaged to another. One day, arriving Kwon, a mysterious young man, pursued and wounded in the leg, the ticket Kwon has just closed and lose the ferry. Yuki realizes immediately that the young person has supernatural powers (it is able to direct energy to a target, making it explode or collapse). If it finds that the threat at home with a knife and forced her to host it in anticipation of the next ferry. E 'wounded and feverish, but she helps him. From the beginning the relationship between the two turns and becomes a bond of understanding. Yuri actually is attracted by the young because she has supernatural powers: able to travel back in time and change the course of events, at the cost of losing their sight. Akiyama two spy and discovers their secrets. So Yuki confesses that the reason she is blind in one eye is that it's gone back in time to save the life to him, who died in a motorcycle accident while traveling together.
arrives at the home of a friend of Yuri Kwon, she superdotato, but she and Kwon are being hunted down by their pursuers, killing the girl. Kwon save and decide to stay in the village to live with Yuri but when everything seems to resolve a killer stabs him to death. Yuri thinks and decides to go back in time to save him, even at the cost of going blind from the second eye.
A weird story filmed with sensitivity and skill. It 's a bit of the sum of several films Hiroki. And, as in his other films, we find some recurring themes: being sensitive depicted as "diversity" in this case, even supernatural, compared to a world of insensitivity, love as self-denial, and the external reality portrayed as hostile. Hiroki is one of the few contemporary directors with expertise in knowing how to shoot on location and in this film the images of nature or of the village are never trivial. Find another her dowry, which is to identify and manage knowledge with young actresses who are under his command considerable expressiveness. The melancholy beauty of Aya Oomasa with a glassy eye is at times irresistible. [FP]
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